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Lake Mungo (2010) reveals through confessional narrative the story of a teenage girl whose troubles are concealed from her family and friends. The true Alice is elusive and, inevitably, spectral, struggling to give voice to her pain and her secrets, struggling to be heard and remembered even after death.
Analyze Lake Mungo using the principles of the fear of non-existence in Kathy Behrendt’s essay, “A Special Way of Being Afraid” while addressing the application of this analysis to the contemporary cultural concerns of Alice’s peers. How does the film in its content, characters, and resolution exemplify Behrendt’s assertions, and how are they relative to an understanding of what it means to exist in a digital age?
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