1. Compare and contrast any aspects (e.g setting, actions, speeches, deaths of specific characters) of the final scene of Hamlet with the play Rosencrantz and Guildenstern Are Dead. What, if any are the thematic implications of Stoppard’s revision of act 5 scene 2 of Hamlet.
2. In Christopher Marlow’s The Jew of Malta, Barabas has not only many soliloquies but also asides , focusing on these asides analyze their dramatic and/or thematic functions: when do they appear? what purpose do they serve? are they an effective device or not?
By contrast, in the Merchant of Venice, Shylock the character analogous to Brabas has few soliloquies and apparently no asides at all. How do you explain this difference in the dramatic presentation of the two protagonists? in what ways does the profusion of asides in the one play and the dearth in the other, seem to you significant?
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