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Read Chapters 6 and 7 in your text A Short Guide to Writing about Film by Timothy Corrigan, Andrew Spicer’s essay “Problems of Memory and Identity in Neo-Noir’s Existentialist Antihero” on pp. 47-63 and Basil Smith’s essay “John Locke, Personal Identity, and Memento” on pp. 35-46 in your text The Philosophy of Neo-Noir edited by Mark T. Conrad; then watch Christopher Nolan’s neo-noir film Memento, about a man who knows who he was, but not who he has become – a familiar existential trope – and write a 3 page Critical Essay (double-spaced) in which you discuss Nolan’s use of thematic and stylistic devices to portray the antihero protagonist’s existential dilemma regarding his identity, as described by Spicer and Smith in their above-mentioned essays.
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