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1. What is the evidence suggesting that many individual free-standing images might originally have been part of a single-mandorla buddha triads?
2. How does Kwak distinguish Korean single-mandorla buddha triads from their Northern Wei prototypes? In other words, what are the characteristics of Korean single-mandorla buddha triads?
3. What does Kwak suggest about the origin of standing buddha images with a single mandorla?
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