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Rejecting previous models of literature as a portrayal of an imaginary or ideal world, realist writers claimed to represent the world ‘as it really was’, through careful observation and documentation of its mundanities and banalities. This session will examine this claim in relation to the novella ‘A Week in a Quiet House’ (1877) by the nineteenth century Czech writer, Jan Neruda, paying attention to the text’s vacillation between social criticism and nostalgia, between realist observation and a meta-literary discourse on the function of literature itself.
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