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One of the most distinctive features of 20th Century music and art is a belief in the importance of an “avant-garde.” Making experimental, challenging works that violate all prior standards of art is risky, since it lacks a foundation and usually produces nothing of lasting value. But sometimes these works can have a stunning impact that extends far beyond themselves, changing forever the rules of the game.
Or as John Cage said, “obviously, the things that it is necessary to do are not those that have been done, but the ones that have not been done. If I have done something, I consider it my business not to do that, but to find out what must be done next.”
Is the idea of a musical “avant-garde” as important today as it was in the early 20th century? Or are we in a period more like Mozart’s time, where the best new music is being made by further refining the already-existing traditions?
And where will the “cutting edge” be 30 to 50 years from now? If music once again changes so much that we hardly recognize it, what will it be like? What will be the cultural engine driving those changes? Try to predict the future, and describe the music that your children and grandchildren will play just to annoy you.
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