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Roger Scruton argues both that film cannot be a representational art medium and that insofar as it is a representational form it just records dramatic representations so is dependent or derivative from theatre.
Explain and analyse the central ideas of Scruton’s scepticism. Pay attention both to the aspect of the argument based on film’s photographic basis, and the aspect concerned with derivative nature.
Can we make any defensible refutation of Scruton? Include in your discussion of one or some classical film formativists, one or some classical film realists, as well as one or some contemporary theorists, such as Berys Gaut and/or Catharine Abell.
References to films where necessary – italian neo-realism, film noir, modern cinema etc.
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